《文艺理论研究》| N. 凯瑟琳·海耶斯：书写/ /后人类: 作为认知集合的文学文本
本文原刊于《文艺理论研究》2018年第三期，扫描文末二维码查看原文。
Writing//Posthuman:The Literary Text as Cognitive Assemblage
N.Katherine Hayles
This article was originally published by TSLA in the third issue of 2018. To read the full text, please scan the QR code at the end of the article.
Abstract: Posthuman studies have developed in many different directions, which may be charted according to the role they assign to computational technologies. Arguing that computational media have been highly influential in the spread of posthumanism and its conceptualizations, this essay illustrates the importance of digital technologies for writing in the contemporary era. Humans and computational media participate in hybrid interactions through cognitive assemblages, networks through which information, interpretations and meanings circulate. Illustrating these interactions are analyses of two works of electronic literature, Sea and Spar Between by Nick Montford and Stephanie Strickland, and Evolution by Johannes Heldén and Håkan Jonson.
Keywords: posthuman; writing; electronic literature; cognitive assemblages
Author: N. Katherine Hayles, the James B. Duke Professor of Literature at Duke University, teaches and writes on the relations of literature, science and technology in the 20th and 21st centuries.
书写/ /后人类: 作为认知集合的文学文本
N. 凯瑟琳·海耶斯
摘 要: 后人类研究已经呈现出多种发展方向,借助其在计算机技术中的职能，或许可以绘制出其发展路径。本文认为，计算机媒体对后人类主义的传播及其概念化的过程影响深刻，并专门探讨数字技术对当下书写的重要作用。人类和计算机媒体通过认知集合，可以参与各类互动，也可通过网络来流通信息、阐释和意义。本文选取的分析案例是两部电子文学文本: 尼克·蒙特福特和史蒂芬妮·斯特里克兰德创作的《海与船柱之间》，以及约翰内斯·赫尔登和哈坎·琼森创作的《进化》。
关键词: 后人类; 书写; 电子文学; 认知集合
作者简介: N. 凯瑟琳·海耶斯，杜克大学詹姆斯·B·杜克文学教授，教授和研究20-21世纪文学与科技的关系。
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